埃里卡试图在加勒比海的一个小岛上袭击所有人。

A young restorer is commissioned a job at an old villa which belongs to an aging countess.

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A serial killer is stalking the streets of Paris and Maigret has to resort to setting a trap in order to catch him.

The 1791 La Clemenza di Tito (or 'The Clemency of Titus') marked Wolfgang Amadeus Mozart's final opera seria. With a libretto by Metastasio (edited slightly by Caterino Mazzolà), the work dramatizes the palace intrigues surrounding emperor Titus's attempts to coronate a new bride and the envious Vitellia's attempts to have Titus assassinated (with the help of Titus's friend Sextus) following the deposition of Vitellia's emperor father. Stage director Martin Kušej mounted Tito in August 2003, at the Felsenreitschule in Salzburg; a film of that live performance now appears in this home video release. The cast includes Michael Schade as Titus, Vesselina Kasarova as Sextus and Dorothea Roschmann as Vitellia. The Wiener Staatsopernchor, under the baton of Nikolaus Harnoncourt, provides musical accompaniment; Jens Kilian designed the sets.

Mozart's La Clemenza Di Tito was originally commissioned to celebrate the coronation of the Emperor Leopold II as King of Bohemia in 1791. This rarely-seen masterpiece was Mozart's last opera. Nicholas Hytner's elegant staging for the Glyndebourne Festival Opera sheds new light on the compelling story of passion that overrides loyalty and integrity that is tested to the extreme.

The docufilm tells the story of Paolo Villaggio's genius through the most iconic Italian character, accountant Ugo Fantozzi. The work was featured in the Classics section of the 74th Venice International Film Festival.

Rossini's first staged opera already contains all the elements that would take the music world by storm in Il barbiere di Siviglia, L'italiana in Algeri and La Cenerentola in the years to come: melodic inventiveness, ingenious connections between sung lines and orchestral accompaniment in the exuberant finale, musical humour and ensembles using breathtakingly fast parlando singing. This sparkling production continues the Rossini one-act opera series emerging from the Schwetzingen Festival with excellent direction, acting and stagecraft. Director Michael Hampe created a perfect realization of the opera in the small, jewel-like Rococo Theatre of Schwetzingen Palace in May 1989.